mytortoisegotstuckinatupperware:
(via nauusicaa)
mytortoisegotstuckinatupperware:
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mytortoisegotstuckinatupperware:
(via nauusicaa)
Crafting iceberg
How many (mostly fiber) crafts can you do?
Note: The chart isn’t ranked by difficulty. The order is how many people can do it / got first introduced to (imo of course).
For simplification I put only headlines (embroidery= satin stich, cross stich etc) there.
Andrew Garfield, in an interview with GQ
It’s never-ending. The grief is never-ending. The love is never-ending. Like, Oh. That’s the nature of love.
(via paty-ofarrell)
you cant employ me in a way that matters
(via sweatermuppet)
I love the gif because there’s an incredible number of mistakes crammed into just a couple of seconds.
1. how the hole starts in the wall but it keeps moving forward
2. then magically heals itself
3. the triceratops walks right through the wall
4. the table blinking before the dinosaurs appear
5. both tables disappear
6. so suddenly appear again as they are toppling over
7. two people clipping into running without any transition
8. the table outline hides a man’s legs but there is no table
9. the triceratops horns aren’t white in the second clip
10. tables changing both color and material in the second clip
11. a carnivorous dinosaur’s first instinct is to go and eat a whole plate with salad
(via dhdingo)
I think tumblr is one of the places most saturated with people who will delight upon seeing any creature. I am very thankful for this website allowing me to indulge in delight at creatures.
(via kitausu)
(via your-url-is-problematic)
Shes so stinky and gross and probably hasnt had a proper shower in 3 weeks but im so obsessed with her
What the fuck
This is absolutely fascinating. I’ve now been looking at Alex Colville’s paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn’t exist yet. Here’s what I’ve got so far:
- Total lack of atmospheric perspective (things don’t fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don’t communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person’s head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I’ve already listed. In other words, details in the “wrong” places.
What’s fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn’t a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
omf i never thought i’d find posts about alex colville on tumblr, but! he’s a local artist where i’m from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!
my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:
iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville’s work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.
(via thymoss)